Here are some "reviews" from students and faculty. Thank you all for your kind words...


His first Masters' Candidate wrote:
"Michael Ricciardone has been one of the best things to happen to me as a singer. I never had a voice teacher who cared so much about my professional development. I feel that the voice teacher/ student relationship is probably the most important in a program like this. Michael has been incredibly positive force in my development in all areas - personally, musically, and professionally. It is rare to come across a teacher at a large university like NYU who works above and beyond for his students. Michael Ricciardone is that teacher. I consider myself very fortunate to be studying with him and look forward to the rest of my time at NYU in his studio."


Other Masters' Candidates have written:
"Michael is just amazing and I feel so great about what we are doing with my voice. He is one of about two teachers I have ever met who listens to me and takes my particularities/ oddities/ quirks into account instead of superimposing a style/technique onto me".

"Professor Ricciardone has added 4 notes to the tope of my range, started to pull my voice out of the back of my throat and helped me to find a chest voice- he is amazing. I can't say enough good things and suggest every student could benefit from his expertise. He is an extremely gifted teacher".

"Michael's ability to define what direction your voice is going and how to get it there is outstanding. His teaching methods are direct and easy to understnad and his master classes are an opportunity to glimpse at how other students utilize what they are learning".


Other students have writtten:
"Michael continues to be an invaluable influence in my NYU life. His dedication to my development as a singer, actor and person is unmatched. He is wonderfully giving of his time and energies and I continue to improve faster in one year than in the previous 13 years of voioce study. I cannot thank him enough for all he has done and continues to do for my training and character".

"This is by far the most constuctive class in my schedule thus far. My college experience would be sorely lacking without Prof Ricciardone. Not only has he taught me about my voice, but I have acquired numerous life lessons that I will keep with me forever. He deserves as much attention and gratitude as possible".

"Over this year and this semester in particular, my voice has gone through quite a shocking transformation, thanks to Professor Ricciardone. My repertoire has been vastly expanded, and I have newfound confidence in my voice, singing ability, and potential. I am eagerly waiting to see where we go from here".

"Professor Ricciardone is literally saving my voice. I am grateful every day for somehow ending up in this man's hands. If it were not for him and his crucial influence I'm certain I would be an english major".

"Michael has redefined what it means to be a singer. He is totally committed to my development as a professional and as a person. Studying with Michael has been one of the highlights of my time at NYU".

"Michael is a treasure to the department and makes studying voice a joy, taking much of the mystery out of singing".

"There is so much I can say about Michael, so I am going to just keep it simple- he is the best! MY own growth has been amazing and I have watched others in his studio become wonderful singers and musicians. Invaluable!!".



Two High School students who were in the summer program with me wrote:
"The past three weeks have been incredibly helpful for me. Thank you for helping me discover so many new things in my voice and helping me with so many brand new revelations about performing. But most of all, thanks for always giving your best as a teacher. You don't have to teach like that, but you choose to, and we have all greatly benefited. I will do my best to keep your advice in my life."

"I just wanted to thank you for a wonderful learning experience in the Music Theatre Intensive. Although I must admit I was slightly intimidated when the class first started, I began to realize how much you cared and how much I gained from your class in song analysis. I enjoyed the way you incorporated a sense of humor, but at the same time I knew you were extremely serious about the work that had to be done. I hope to work with you again in the future!"


Excerpt from a letter to the Steinhardt Dean regarding a Master Class I had taught at another University:
"Through the efforts of our head of Musical Theatre, we were able to bring Michael in last month to hold a series of workshops for our students as well as our voice faculty. We are putting focus on that part of our program. We could not have been happier with the results! The feedback I received anecdotally and what I witnessed first hand was glorious. Michael not only brought his enormous skill as a vocal coach/pianist, but also his vast knowledge of the musical theatre repertoire to our students. I was personally thrilled watching his master class because he brilliantly converged an actor/industry textual-centric approach to vocal training that our students so desperately need. It was truly fantastic to see students' reaction to the information that they've been hearing in a technique or an acting class also applies to their singing! Michael's approach to training was also nicely holistic. He trains the entire student and not just an instrument. That was probably the most inspirational information he conveyed to our private voice faculty. Most impressive about Michael's time here was his dauntless energy and his commitment to our students. You are extremely lucky to have him on your faculty."



The following letter was written by NYU President Emeritus Dr. L Jay Oliva as part of the recommendation process for the Steinhardt Teaching Excellence Award:

I’ve encountered Michael Ricciardone as a voice teacher twice in my career. The first time I was President of NYU and needed to get ready for participation in a student’s senior recital; the second time is now, when a post-presidential career in film and theater impels me to try to hold on to whatever voice I’ve got for as long as I can.

I surely am a special case; but special cases put a real teacher to the test. I’m old, cantankerous, ambitious, impatient, with an ego as big as Rhode Island, and a long history of being a teacher myself. Only a real teacher with superb skills would engage with me!

Michael is a treasure. This judgment is based on a fact: the best teachers are those who can assess where the student is, appreciate where the student is trying to go, and then help him/her get there. Sounds simple, but isn’t!

I’ve engaged with other voice teachers, every one of whom was intent on taking me to some abstract and quite grand place. They knew the mechanics and the grand scheme … but they couldn’t listen!! Listen, not just to the voice, but to the dream, the goal, the need. And they couldn’t plant a belief that I could approach my aspiration. Michael is technically superb ... but also worldly wise, and kind, and empowering. He does what few teachers ever do: he truly gets a huge boot out of taking a student from here to there. Lucky me!




A Letter of Recommendation from Tim Matson, former student

Professor Ricciardone provided me with critical and thoughtful guidance and support during a very difficult time in my life as a vocalist. I am a graduate student at NYU, and, having done my undergraduate work in vocal performance, I have a number of voice teachers: never have I had a teacher more knowledgeable, caring, and challenging than Professor Ricciardone.

I began studying with Professor Ricciardone in September of 2005. During our first month together, he suggested that I visit a laryngologist: he heard something in my voice that he thought might be indicative of a physical malady on my vocal cords. I was shortly thereafter diagnosed with a vocal cyst, the remedy for which is almost always phonosurgery, surgery on the vocal cords themselves. With my school schedule, I was unable to have such surgery until December. During the two months after my diagnosis and before my surgery, Professor Ricciardone continued to teach me, providing me with guidance as to how I might sing as gently as possible with the cyst. He also helped me continue to perform in classes, and he coached me through the performance of a musical. In brief, he gave me the necessary information that made it possible for me to continue singing, and even improve as a vocalist, despite my malady. Without Professor Ricciardone, I may not have even learned that I had a cyst, and I doubt that any other teacher would guide me so deftly through the problem.

I am studying with Professor Ricciardone now, and he continues to help me in rehabilitating after surgery. He knows when to push and when not to, when something I am doing can be fixed by an exercise and when it is a result of my recent surgery. In this very delicate process of rehabilitation, I feel that I am in very good hands.

Having studied with many teachers, no teacher has made my voice feel as free, easy, and nimble as Professor Ricciardone; nor has any other teacher had so present a concern for my health as a vocalist, a student, and a human being; nor has any other teacher challenged me as much and pushed me as far; nor has any other teacher sparked such a love for music and singing. My voice has improved more in the last six months than it has ever before, and this is almost entirely thanks to Professor Ricciardone.